Amazing Grace: the Music, the Movie, the Movement
January 24, 2007 at 5:24 pm (Schule und Kirche, Worldliness)
Do you know who wrote the hymn Amazing Grace, and why? I do.
Last night, I saw the sneak preview (especially for seminary students like me) of the movie Amazing Grace, about the activist life of William Wilberforce. He was the man the British abolition movement coalesced at the turn of the 19th century, the movement that eventually (through two decades of work) did get the slave trade banned in the British Empire. I heartily recommend the movie, which lived up to even its producer’s hype for it. It comes out February 23, and YOU should go see it.
February 17-18 (including Transfiguration Sunday) is Amazing Grace Weekend, so if you’re in a church, either Adventist or normal, you should lobby to get the folks singing the song that day. Ideally, you could also to tie the song into its origins as a voice of protest against slavery, and use the song as a protest against modern-day slavery - 27 million people enslaved today.
Movie website: www.amazinggracemovie.com
Movie’s modern-day abolition campaign website: www.theamazingchange.com
Official book of the movie, about modern-day global slavery: Not for Sale, by David Batstone
Film clips about the book and campaign: http://www.youtube.com/profile?user=NotforSalecampaign
One of the most remarkable strengths of the movie is that, like ‘Iron-Jawed Angels’ (about US women’s suffragists), it glamourizes political activism without obscuring the realities of the difficulties of the struggle. There is pain, there is hopelessness, there is self-doubt, there is loneliness, there is mistrust among the community. There are people saying ‘Go slower,’ ‘It’s bad for the economy,’ ‘People are too fearful for change,’ ‘You’ll be called a traitor,’ and, the most damaging of all, ‘Yes, I agree with you, but I don’t think yours is quite the right way to act, so I will work against you and support the status quo out of my own unoriginality.’ But in the end, you are right, and you make it through because you knew you would be.
The story also makes a great case for overcoming the typical division between political life and spiritual life. It shows convincingly that the best way to live as a Christian is to struggle to end injustice - that political activism is no less a Christian life than a life of solitude, and often an even ‘more’ Christian life, depending on the specific gifts of the Christian in question.
The parallels between the movie’s time in history and our own are incredible. I don’t know how hard the makers had to work to draw out those matches, but it’s pretty blatant. There’s a world power defending its empire abroad in a war against rebels (these ones are in America); the people are kept in too much a state of fear to be amenable to social change; economic hardship is cited as a justifiable excuse for inaction against injustice; understanding the evils of chattel slavery leads activists to realize the evils of the entire economic system that creates rich and poor; anyone who speaks out against the national leader is labeled unpatriotic and seditious; people are always hatin’ on the French….
The movie is also PACKED with tight one-liners. I may have to watch it again with a pen and notebook in hand to jot them all down.
Of course, it’s a shame that the movie focuses so much on white people’s work to end slavery, and that there is all of one African character. Presenting the good activism of white abolitionists is the goal of the movie, and it meets its goal successfully, but I am consistently disappointed in white people that we seem to need to have our hands held through anti-racist work: that we can’t just hear the stories of racist oppression and figure out how to act, but we have to have it spelled out for us with models of white historic leaders we can feel good identifying with.
The make-up in the movie is amazing - the actors really do look 20 years older than their younger selves. And, yes, the movie has a love story, and yes, the movie has busty cleavage and tight pants, if you need that sort of thing in your movie-going ventures.
Oh, and about the song? It was written at the end of the 18th century by John Newton, a former slave ship worker, who wrote it as a sort of confession about the sins he had committed against fellow creatures of God. Newton was one of Wilberforce’s friends and role models, and the song became an anthem for the movement. Watch the movie and you’ll know even more.